Birdman

"I just kept thinking, 'That's Mr. Mom, man!'" -Jon

This is a story about the internal dialog/struggles/petty drama of an actor, self-absorbed and exhausting to watch battle his inner-demons but...

...this guy's inner demons include not just a failed marriage, dried up career, mountains of self-doubt, and a just-out-of-rehab daughter (though, those are there); this guys biggest demon is a Birdman character he played 20 years ago...and some some magical realism...and some incredible meta-dialog wrap-around storyline gymnastics. I was engrossed in it from the first scene to the last.

Like all of director Alejandro González Iñárritu's work, this is painstaking, tense and beautiful. There are moments of comic relief, but always at the expense of someone. 

The camera work is fantastic...edited and cut as if it were one continuous shot (almost) which gives it a cinéma vérité look and feel (although this is certainly not), which is also a nod to how the play unfolds within the movie as real-life bashes its way onto the stage and stretching the boundaries of the fourth wall become the key to resolution of the story.

I'd love to talk to a theater person about this movie...it's been a LONG time since I was on the stage or behind it and I think that would add another dimension all together.

Michael Keaton is really, really good in this.  

Inherent Vice

Ahhhhh crap.  I fell off the wagon so quickly.  I vow to do better and write these damn  things up before I forget if I liked them or not.

So!  A couple things I loved about this:  Its very gritty /over-exposed look were super-reminiscent of late 60's early 70's sunbaked (baked) Southern California.  The costumes, the telephone, the cars...all spot on as P.T. Anderson can do. 

It was laugh-out-loud funny at times and had some great twists and surprises.

Reese Witherspoon and Joaquin Phoenix were brilliant together in Walk the Line, so it was fun seeing them here too.

There is something Big Lebowski-ish and quotable in this missing person romp.  It's LA, it's a decade piece, it has fantastic characters (Martin Short absolutely steals the show about 2/3rds of the way in).

I wanted to watch it again as soon as it was over.

Citizenfour

"I dunno" I shrugged at Jon. "Aren't these kinds of things more your thing?"  I was worried that I would need to know more about Edward Snowden than I did.  Not wanting the subtleties of the film (or even the greater meanings) to be lost on me because I don't read news with any regularity anymore. I was wrong. This movie was totally my thing.  It was exciting. Tense. Human. It made me mad. It made me appreciate that there are people in this world who will act when they see something that is wrong. It made me respect Snowden for his smarts and bravado and for choosing the right journalists to tell his story. 

Snowden was a high level computer engineer, contracted at the NSA, who had access to any level of classified of data. He wrote code and managed systems on which metadata is being captured on everyone (literally) and cataloged in searchable ways.  He knew this was wrong so he decided to reach out to two journalists who he knew would respect the story and its weight and told them what he knew and shared documents with them. The film unfolds mainly over a week or so and follows journalists Glenn Greenwald and Laura Poitras as they meet with Snowden to hear what he has to say in a Hong Kong hotel room. It is informative and revealing, emotional and haunting.  

What I liked most about this documentary are the times that you see the person behind the story...Snowden's nervous tics and awkward phone conversations with the hotel staff . The long, steady shots of him thinking, looking out the hotel window or fussing with his hair. He's a person. You can feel his resolve even when he is clearly uncertain about what comes next.

The story is still unfolding and, truthfully, I felt helpless when the movie ended. We are still being listened to and watched. Drones, cell phones, search engines - the tools are in the hands of the watchers. It feels like it's too late.

The Wrestler

I so appreciated that this movie didn't do anything it wasn't meant to do. It was just the right amounts of funny and sweet and weird and gross. Nothing drastic or shocking happens, it doesn't wrap things in a pretty bow, but it was touching and realistic. Micky Roarke is pretty incredible, albeit pretty horrific to look at. I think the surprise here is Marisa Tomei, who delivers an amazing performance for which she is nominated for an Oscar. (I CANNOT believe she is 43!)

Milk

I knew a little bit about Harvey Milk from my Queer Studies class at UC Santa Cruz. It certainly wasn't necessary to know anything about him to thoroughly enjoy this sad, inspiring biopic. Sean Penn, who does very little that I enjoy (except this and this) (and I didn't realize he did this, but I liked it a lot too), was phenomenal. Completely great. I loved the 70's vibe that Van Sant captured and I feel like Van Sant's approach to this movie was so much more accessible than most of his other movies, many of which I really enjoy, but I respect that he wanted this to reach more people. Nicely done.

Synecdoche

This movie was amazing...weird and convoluted and wonderful. And I saw it 3 months ago...so I have nothing valuable to add to anything that has been written here or here or here. I don't agree with all these reviews, but they are all good ones to read.

Phillip Seymour Hoffman is an amazing actor.

I could talk about what happens in the film, but I have no idea what really happened.

This might have been the last movie we saw in 2008. I'm not sure which is more sad: the fact it might have been the last 2008 movie or the fact that I can't remember if it is...either way it is the baby's fault.

Burn After Reading

I think this is the Coen brothers' funniest since Lebowski. They are such amazing crafters of plot and dialog.

I saw this 4 months ago and am just posting about it now so I don't remember what else I was going to say

...ugh. Motherhood ate my blog.

I really liked this film and want to see it again.

Encounters at the End of the World

Werner Herzog is becoming my new hero. (As an aside, the trivia in his bio on IMDB is fascinating!)

Grizzly Man was weird and funny and tragic. He showed up in Mister Lonely for a bizarre small role, and now this.

Herzog sets out with his camera to find out about the people who go to Antarctica to work...it turns out there is some kind of weirdo magnet down there and pretty much all he had to do was turn the camera on and let it roll, but the results are stunning and not without the wonderful Herzog charm, brought to you in long still shots, hilarious overdubs and scenes of scientists laying face-down on the ice listening to seals.

From fork-lift driving philosophers to electric guitar playing scientists to a man who keeps a backpack packed at all times with everything he would need to pick up and go - including a kayak(!), the motley crew he encounters at the end of the world is quite entertaining, but the film is much more than that. It is gorgeous and sad and good in that way that keeps coming back to you for days after you've watched it.

The Wackness

I want to put on the record that this is the first movie we saw after Tilia was born.

It made me feel old.

Nothing more than a teen love story where the guy gets his heart broken, but the twist is that he sells pot out of an ice cream trolley. A lot of pot. And they show him having sex...imagine that in Ferris Bueller or The Breakfast Club.

My oh my how times have changed.

And yet, they haven't -- this, like the John Hughes movies of my time, was very conscious of its tragically hip self and as such shouldn't be expected to be any more than a Pretty in Pink for the Y Generation as they graduate from high school.

The main character's teacher (following the Hughes narrative again, all Hughes movies also had a wise teacher character) is played by Ben Kingsley who was amazing. He can play any character in the world masterfully. He made/saved this movie for me.

Speaking of Ferris Bueller -- Josh Peck who plays the main character kept looking so much like Alan Ruck who played Cameron in Ferris Bueller's Day Off, that I was convinced it was his son! Figuring out that that was possible made me really start feeling old. A quick IMDB search proved that they don't look anything like each other -- age takes its toll on the mind.

Man on Wire

I was sure we were watching a mockumentary for most of this movie...there were such wonderfully silly moments that I would have bet money they were staged and I watched in delighted disbelief. Later, when I realized the events in the film were real, I felt these great touches of true whimsy lightened the mood in just the right way.

This is an inspirational and shocking and silly film and utterly delightful.

Surfwise

Fascinating documentary about a family of nine children who grow up somewhat wild under the iron first and open heart of their surf-guru dad, Dorian "Doc" Paskowitz, an ex-doctor who dropped off the grid to raise child after child in a 24-foot long camper wherever he had the whim to take them all. He was obsessed with health, fitness and surfing, told his kids that school is dangerous, and taught them to be good people using the laws of nature and "clean living." He's obviously crazy, but some of his philosophy does work out in the end...his kid love him (despite his foibles) and they turn into good, loving parents, overall. The story is well told with old pictures and footage mixed with modern-day looks at the family and who they have all become.

The Fall

We saw this hours ago and I am still completely blown away. I think some time might need to pass before I write anything meaningful about it. Here's what I want to say now: It is gorgeous. Sincere. The performance by 11 year-old Cantinca Untaru is spellbinding. The saturated colors, quirky, beautiful costumes and otherworldly images are all completely mesmerizing. The two stories are perfectly entwined, sad, dark, funny, timeless, surreal. It might go to my top 20 of all time. I know I'm gushing. I'll stop...and maybe I'll be able to put something more coherent together about it later. This is was just perfect film making for me. I had very high expectations based on seeing one preview and those were totally blown out of the water.

Mister Lonely

Weirdo Harmony Korine is at it again and, if you can believe it, it seems like he has refined his technique. Far from the offensive, uncomfortable tales of Gummo and the troublesome morals of Kids, this is a fairy tale with 10 years on Gummo and a world apart.

Celebrity impersonators live in a commune is Scotland. Michael Jackson is asked to join the group by Marilyn Monroe (the voluptuous and amazing Samantha Morton) who is married to Charlie Chaplain. The stooges are there too along with Buckwheat and Abe Lincoln (whose foul mouth adds to the fun.) Non sequitur scenes (some named by Jackson's songs) ramble along beautifully and take you to another reality. There is a culminating scene and "plot" but it didn't really matter to me. The gorgeous colors, bizarro events and a completely unrelated (as best as I can tell) story line about nuns in South America who can fly (encouraged by none other than Father Wener Hertzog) are the stars of this show.

Voyage du ballon rouge, Le (The Flight of the Red Balloon)

I can't tell you how much I love Juliette Binoche. She is flawless. She completely inhabits her characters in a way that other actors cannot. I am always blown away by her -- even in mediocre movies. She is almost upstaged in this movie by the little boy who plays Simon, but not quite.

This is a "remake" of the 1950's original The Red Balloon, but it's not necessary to be familiar with the original to enjoy this movie -- in fact, I remember very little of except that the red balloon follows the boy and then floats away (?) maybe I don't remember as well as I thought.

Anyway, this is a very sweet and detailed film...it's about outsiders and imagination and the minutia of life that makes us all tick.

Young at Heart

I knew we would laugh and cry, but I had no idea...this was an amazingly touching, funny and respectful look at a performing troupe of senior citizens who sing The Rolling Stones, The Ramones, and Coldplay. That's really all you need to know.

The Visitor

When Jon and I saw The Station Agent in 2004 (?) I was stunned to find out that it was Thomas McCarthy's first film. So delicate were the characters approached and so subtlety funny were the humorous movements in that sad film about a lonely man, that I was sure this was an experienced and skilled hand at work. I was wrong.

When I discovered (after seeing it) that The Visitor is his movie as well, it made perfect sense.
The Visitor is another film about a lonely person -- another film that is perfectly cast and played -- another film that tackles something as big as isolation and solitude without being heavy handed.

Walter, the main character (played perfectly by Richard Jenkins who was the father/ghost on Six Feet Under), finds his way though his sadness by meeting a guide (actually a few guides) who shepherd him though his own baggage. He is as surprised as we are at the man who emerges.

This film tackles some bigger issues in the periphery, but it transcends the need to solve or answer or even comment on the big picture by just showing us what we need to know or what Walter needs to know.

Thoughtful and well done.

Ano em Que Meus Pais Saíram de Férias, O (The Year my Parents Went on Vacation)

What I have to say first that this film is directed by a guy named Cao Hamburger (I'm not up on my Brazilian Portuguese but I think that's pronounced "cow.")

What I will say second is that Mr. Hamburger has directed a very sweet and original coming of age story set in a very interesting time in Brazil. 1970 was the year Brazil won the world cup and a year of political upheaval and unrest. It was also the year that Shlomo's freedom fighter parents had to run from the police and go on "vacation" leaving him with his Jewish grandfather until, they promise, they will return to watch the World Cup with him.

Great characters and wonderful acting by the kids, especially. Watching the scenes of the city shutting down for each round of the finals that their team made it through, Jon and I got a great flashback to when we were in Rome during the World Cup that Italy won in 2006.

Be Kind Rewind

This is not the Michel Gondry we have met before. This is a new, lighter, less complicated and in some ways, less enjoyable Michel Gondry. But, we had to see this, knowing it wouldn't be Eternal Sunshine or The Science of Sleep, we had to see it, and I am glad we did.

Mos Def is left in charge of a video (actual VHS video) store while owner Danny Glover is away. Jack Black, through a completely implausible accident, ruins all the videos forcing the duo to remake all the films ('sweding' them). Black is the only person who could have played his character. In fact, I think he plays that character so much that we believe that is who Jack Black is. Loud, crazy, annoying, dim, enthusiastic. We buy it when he plays it. At least I do. So we go along with the goofy idea and find ourselves caught up in the fun.

Wonderful, whimsical cardboard cutouts on the sets, fancy camera angles to produce great visuals, a completely absurd plot and silly characters combined to carry this movie through. Mos Def was pitch perfect. It rode the line between sweet and schlocky, perfectly.

Cidade dos Homens (City of Men)

Intense drama set in the favelas of Brazil. Based on a TV show that was a spin-off of the movie City of God by the same director. The themes of fatherhood, friendship and responsibilities are right on the surface, but kept interesting by the phenomenal performances by the two leading men. The sweltering heat and gang violence and poverty are so close you can feel the pressure and the need for things you can count on. Not complicated or surprising but a very well told story with hope as a footnote in the lives of the characters.

Persepolis

I saw Marjane Satrapi speak a few years ago about her autobiographical graphic novels by the same name of this movie. She was incredibly funny and spoke eloquently of her surprise at finding her way to be a "comics artist." She had me as a fan for life and I was thrilled when I heard about the film.

The film was impeccably done. They kept Satrapi's style, spirit and touch so perfectly, you might beleive she drew the whole thing herself. Magnificent shades of gray envelop each scene with wonderful details and palpable emotion. We are transported with sadness, patriotism, joy and adventure.

Even though Marjane lived in Iran through war and revolution and moved to Austria and Paris, her life was not that remarkable. It is her gift for storytelling that draws us in and wraps us up in journey.